From creation to licensing and everything in between, Polydont Films is looking to carve a unique niche in the kids’ entertainment marketplace. Its growing stable of shows reflects the company’s motto: “being special by being different.”
Mazukta & Shambabukli is among the curated slate of projects the boutique outfit is working on, with the teen series featuring “a distinctive concept and artistic style,” says Elena Lyalina, CEO and producer at Polydont Films.
Reflecting Polydont’s diverse skill set, the company also has a 3D series for preschoolers, MechaNick, which Lyalina says “offers a unique approach to entertainment by teaching kids to care for their toys while fostering creative thinking.” Polydont is also developing Roman Pigeons, a series of 2D animated webisodes for YA audiences that will be developed into a full-length feature. These projects will be showcased as the company heads to Mifa and MIPCOM to tout its highlights this year, building on Polydont’s growth path since 2021.
“We realized it was time to move beyond the traditional production house model,” says Lyalina, who has a long history of collaborating with the founder of Polydont Films. “We wanted to create something that reflected our values more clearly. So, in 2022, we launched Polydont. Since inception, we have continued to grow and adapt, exploring new storytelling techniques and innovative approaches that reflect our commitment to originality. We even launched a dream project—an original 2D series for teens that humorously explores existential questions, showcasing how every person is a creator in their own life.”
Speaking to Mazukta & Shambabukli’s authenticity as a series for teens, the presentation for it was created by the 15-year-old daughter of Polydont’s founder, “who was interested in supporting the project,” Lyalina says.
Meanwhile, the development of Roman Pigeons helped spur the company’s expansion to Italy. “The idea of opening a branch in Europe has always been appealing,” Lyalina says. “Italy is an ideal choice due to its rich cultural heritage and high-quality film industry. Italy’s cultural significance allows us to contribute to the animation landscape, while our team’s enthusiasm for the country fuels our motivation for this expansion.”
Lyalina says Polydont’s creative ambitions are on full display across its slate, from 2D to 3D, preschool to teen.
“A key aspect of Polydont’s identity is its commitment to quality, originality and creativity in animation. With our extensive background in animation, we can reach out to different age groups—preschoolers, teenagers and young adults—tailoring our projects to resonate with each group’s unique interests and perspectives.”
With Lyalina driving the company’s marketing and distribution efforts, Polydont is eagerly looking to secure global creative and business partnerships.
“We are looking for partnerships and co-production opportunities with broadcasters, streaming platforms and production companies that share our vision, particularly for the second season of MechaNick and a full feature created from webisodes,” Lyalina explains. “We are always open to discussing new animated project ideas for teens and young adults.”
The Polydont Films team will solidify the brand name with clients worldwide by participating in international markets. “Our goal is to connect with broadcasters and partners there who know how to work with these types of projects, particularly Mazukta & Shambabukli and Roman Pigeons,” Lyalina explains.
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